#Klaxons myths of the near future zip full
#Klaxons myths of the near future zip download

Their sound is closer to dance-punk than revamped Madchester giddiness, more like Bloc Party before they got very, very serious than the Happy Mondays or Stone Roses. Buy the album Starting at 13,99в‚¬Д«reathlessly anointed by the British press as pioneers of the 'new rave' movement, Klaxons aren't quite as radical on Myths of the Near Future as they've been made out to be - but they're not as grating as the hype around them would suggest, either.

#Klaxons myths of the near future zip download

Energy, in fact, that could never be invented.Purchase and download this album in a wide variety of formats depending on your needs. What's more, their reinventions work, because they brim with energy and life. With both them and REM burns a fiery reminder of why they started in the business, why their musical pasts matter, and how they feel their presents should follow. They sounded fresh and immediate, and in a peculiar way, just like a new band. They rocked through their back catalogue with pleasure, twisting old songs into beautiful new shapes. Madonna seemed irked with her audience, shouting sarcastically at the fans in the back who weren't screaming loudly enough. What interested me was how both parties responded to their situations. For bands of this size, live music was supposed to take care of their financial future. The second was a week later, when I saw REM play to a half-empty Twickenham Stadium. The first came two Saturdays ago outside Cardiff's Millennium Stadium, when I saw touts slashing ticket prices for the opening night of Madonna's world tour. Two recent experiences brought this home to me clearly. They're trying to widen their eyes, and in these difficult times all big acts should follow suit. They've already made two albums of sad, epic rock, and they're not relying on their fans to put up with a third one. After all, being a huge act isn't an easy ride any more. He also helps remind us how good pop actually was in the mid-80s, and helps rescue its clout from the Guilty Pleasures brigade.Д«y reinventing themselves and reinforcing pop's legacy, I also think that Keane are being canny.

Their producer, Madonna's old charge, Stuart Price, has harnessed these sounds well, and given good ballast to his charges' catchy melodies. I'm talking about the slick, shiny greatness of bands like ABC and a-ha. I'm not talking cool, glossy electro, or the excesses of Italo disco. Second, Keane are also being brave by embracing the pop of the 80s. The musical offspring of David Bowie are almost exclusively female, with BjГ¶rk and Alison Goldfrapp being rare examples of current artists who are happy to play with their worlds of performance. Eccentric individuals are much better at the caper, although men don't do it much today, either. Most remain like proud packs, creating illusions of fraternal togetherness while they crank out the same, turgid songs. Reinvention in pop is a tricky thing to get right, and few bands try it. First, they are trying to do something new. After all, Keane are doing two brave things. It's no longer soundtrack material for middle-class tantrums, but the sound of a band turning their frowns upside down.

#Klaxons myths of the near future zip full

It crackles with electronic sparkle rather than sluggish pianos, and it sounds full of hope, rather than dull, whingy sentiment.

Perfect Symmetry is a sparky pop album, a million watts brighter and bolder than their previous two records. New rave had been blasting around dancefloors for a whole year before that, so Keane's attempt to hijack that look makes it appear like they are jumping on a bandwagon that's already left town.Д«ut here's the thing: the buggers get away with it. Even worse, it's been 12 months since the Klaxons' primary-coloured pop won the Mercury Prize, and 18 since their debut album, Myths of the Near Future, reared its daft, woozy head. For starters, there's nothing more embarrassing than an established band trying to be trendy. On the surface, then, the prospect of Keane 2.0 doesn't bode very well. It's a peculiar tableau one that suggests a maths class viewed through a spectrum of drugs, rather than a mum-pleasing band liked by Magic FM. His bandmates Tim Rice-Oxley and Richard Hughes stand by his side, resisting the attack of some bright blue set squares. There's Tom Chaplin with a new haircut, and a big yellow zip-up just like a new raver. Over at you can see the change for yourselves. By the look of them now, they've been at the psychedelic Pringles. The Keane I knew were the aural equivalent of a packet of Wotsits - cheesy, old-fashioned and weirdly comforting, but likely to raise bile after several bites. Question of the week: what the hell has happened to Keane? Their third album, Perfect Symmetry, comes out next month, and by the look of the neon CD that's popped through my door, something's gone wonky.